Despite the hype, ‘Piano Love’ fails to hit the right notes
By Karishma Dipa | Published Sep 10, 2024
Directed by the iconic Mandla N, it is a vibrant story of love, ambition and the unifying power of music.
Reviews
FILM REVIEW | Mamelodi: A timeline of heroes shines light on township's cultural legacy
By Timothy Niwamanya | Published Jul 17, 2024
FILM REVIEW | Keba, Interrupted: A poignant slice of life examining male disenfranchisement
By Timothy Niwamanya | Published Jul 16, 2024
Film Review: ‘Mother City’, unveiling Cape Town’s hidden struggles through the lens of community activism
By IOL Reporter | Published Jun 12, 2024
‘The Color Purple’ mixes tragedy with show tunes
By The Washington Post | Published Jan 26, 2024
‘Good Grief’ is a bittersweet LGBTQ+ film that masterfully explores loss, love and friendship
By Debashine Thangevelo | Published Jan 23, 2024
‘Poor Things’ is a weird yet beautiful film, and it may not be for everyone
By Theolin Tembo | Published Jan 22, 2024
‘Mean Girls’: Familiar but still pretty fetch
By The Washington Post | Published Jan 18, 2024
‘Mean Girls’ retelling keeps original story while updating for a social media era
By Theolin Tembo | Published Jan 15, 2024
Talk about lost: ‘Aquaman and the Lost Kingdom’ feels abandoned by DC
By The Washington Post | Published Dec 29, 2023
'Wonka': A sugar-sweet story that's missing some bite
By The Washington Post | Published Dec 21, 2023
Nicolas Cage is the man of everyone’s dreams in ‘Dream Scenario’
By The Washington Post | Published Dec 14, 2023
‘Leave the World Behind’ has thrown streamers for a loop with its real, and scary, plot
By The Washington Post | Published Dec 13, 2023
‘Wonka’: Timothée Chalamet shines in an otherwise pedestrian prequel
By The Conversation | Published Dec 8, 2023
‘Big George Foreman’ pulls no punches in capturing the life story of the legendary boxer
By Karishma Dipa | Published Dec 6, 2023
Classic Christmas movies worth revisiting this festive season
By Karishma Dipa | Published Nov 28, 2023
‘Priscilla’ is an alternative look at rock-and-roll from the perspective of Elvis’s ‘Queen’
By Karishma Dipa | Published Nov 8, 2023
‘Five Nights at Freddy's’ is a treacly family melodrama and uneasy horror mix
By The Washington Post | Published Nov 3, 2023
‘Killers of the Flower Moon’: An admirable yet vexingly uneven film
By The Washington Post | Published Oct 27, 2023
‘Kandasamys: The Baby’ falls flat on the comedy but tackles hard-hitting conversations
By Alyssia Birjalal | Published Oct 25, 2023
Love Taylor Swift or not, ‘The Eras Tour’ is astonishing
By The Washington Post | Published Oct 16, 2023
‘Exorcist’ sequel is scary enough for fans but may not make converts
By The Washington Post | Published Oct 13, 2023
‘The Creator’ aims for sentimental, lands at artificial
By The Washington Post | Published Sep 29, 2023
‘Expend4bles’: New cast members, more explosions and a nonsensical plot
By The Washington Post | Published Sep 27, 2023
